CURRENT INVENTORY LIST
Updated:
Tuesday, January 31, 2012

We are dealers for Martin, Tippin, National, Eastman, Schoenberg, Sexauer, Santa Cruz, Kenny Hill, Michael Dunn, John Morton, Asturias, Gold Tone Banjos, Tacoma and Seagull. We are brokers of many fine used and vintage instruments, such as Martin, Gibson, Epiphone, Guild, Vega, National, Dobro, Fairbanks, Vega, Washburn, Regal, D'Angelico and many others.

We offer our customers the full benefit of our expertise. *Each instrument receives a full custom set-up for it's buyer, matching their playing style and action desires, and either we will repair (used instruments) any defect or make accomodation in the price.

We are also a "player's store"; we are accomplished players who can talk to you intelligently about the tone, the feel, the playabilityof each instrument. We are also teachers and are excellent resourses for advising you on the relative merits of each instrument for your needs and desires. We believe in supplying the right instrument for each customer; we've been doing this for over a quarter of a century, and take pride in being excellent and impartial advisors.

As for our "Cash price" issue, unfortunately, the credit card companies support "swiped" charges in which the card is physically run through the card reader. Phone-in charges are charged at a much higher rate (to the seller) which can take quite a big chunk out of a high-dollar sale. Thus, for those call-in sales, let's discuss the issue at the time; hopefully, we can figure some way to deal with it.

Call us at
415-789-0846 or email us if you want an instrument that's not on our stock list. We'll be happy to notify you when we get what you're looking for. Tell us the make, model, years you may be interested in, and any other info you think we should have. And tell us the best way to reach you.
Used Acoustic Guitars
Electric and Archtop Guitars
Amplifiers
Gypsy Jazz Guitars
Resonator Instruments

Classical Guitars
Independent Luthiers
New Steel String Guitars
Mandolins
Banjos
Ukuleles
Cases
Schoenberg Strings


USED ACOUSTIC GUITARS


Circa 1880's Martin 3-17, in the shop

1893 Martin 2-18, Beautiful, excellent original condition, except for loose peghead joint, which we will repair, Brazilian rosewood back & sides, red spruce top, with the black neck & ice cream cone heel. It will need a neck reset for proper playing, yet is a museum grade piece as is.
• Cash price, $2375


1919 Martin 00-28, A beautiful example, in super nice condition. Brazilian rosewood, early style tiny herringbone binding, incredible tightest-grain Adirondack spruce top with beautifully daerkened original varnish finish. Set-up by us in 2005.
Sold

1920 Martin 00-21, Brazilian rosewood and Adirondack spruce, VG condition: pick wear on top, several hairline cracks expertly repaired, booming, open, rich tone like only these 12-fret Martins can have. Takes steel stringts easily and is extremely solid.
• Cash price, $5670

Ca. 1920 Galiano, Handmade in New York City by Antonio Cerrito, excellent condition, a fabulous time capsule guitar with the rich sound of a Stella type instrument. 12-fret slot head, straight braced, mahogany back and sides, spruce top with light wood binding at the top edge, unaltered ebony pyramid bridge with the original fretwire saddle, ebonized fingerboard with 12 frets to the body and 18 overall, 26" scale, 1-13/16" at the nut, 2 1/4” bridge spacing, 14-15/16" wide body. All original including the 3-in-line brass open gear tuners with black knobs, original bridgepins and endpin.  Four repaired back cracks, two with splints, nice clean work, one hairline top crack next to the treble side of the tongue. Strap pin added to heel. Label reads A. GALIANO/ FABBRICANTE DI/ Chitarre e Mandolini. With a newer hardshell case, a very rare and great sounding example of the classic 1920's blues sound.
• Cash price, $3500

1925 Martin 00-18, All original (tuners in the case), great set-up, and one of the best sounding examples we've seen in a long time—and we've seen a bunch of these lately. They've been our best selling vintage guitars, and hopefully this one wont last stay here very long.
• Cash price, $5285

1926 Martin 0-18, just in ...
• Cash price, $

1926 Martin 000-45, Twelve-frets to the body, slotted peghead, full abalone body border and torch inlay on peghead, Martin's top model at the time. This one has been nicely refinished, the neck has been narrowed; NY repairman Steve Kovacik has done a wonderful repair. Here's his description: "The fretboard was replaced in my shop and in the process most of the width restored (1 13/16" finished nut width).  The binding, like the fretboard, is new but it is not wider or thicker than standard.  The taper of the board isn't what it originally would have been as the previous neck narrowing work altered the taper irrevocably.  But considering what had been done previously the end result was quite good.
The bridge is not original to the guitar, but it is not "new".  It is an original 20s era bridge that was salvaged from another Martin that was beyond repair."
• Cash price, $47,500.
This Guitar Is Not Stored On Our Premises! Call for appointment.

1927 Martin 00-42, One of the nicest!! There's a small bit of pick wear on the top, and otherwise this guitar is perfect. One of those dream quality vintage Martins in which the finish hasn't aged, the set up is perfect with light gauge strings), the tone is wonderful. The bridge is a forgery-grade replacement by Dana Bourgeois from many moons ago. The tone is full, refined, clear and explosive. I've known this guitar for the last thirty years or so and have always thought of it as one of the very special Martins.
• Cash price, $29,500
This Guitar Is Not Stored On Our Premises! Call for appointment.

1929 Martin 0040H, When this guitar first came in, I was excited. The nicest looking 0040H and with an original bound fingerboard. It was beautiful! Upon closer examination, it seems more probable that it is a truly "forgery grade" job, with perfect matching ivoroid. Probably done in the conversion, when an adjustable truss rod was installed. As it now stands, it helps make this one of the loveliest of this model. The finish is beautiful, like our 1937 000-18, it has been babied all its life and thus retains a lot of the original coloration of the top without the often-beautiful patina of age but with the gentle golden color of a 90 year old finish on 90 year old Adirondack spruce. Unfortunately it recieved a couple of clear plastic pickguards that were so popiular in the forgetful '70s. Our repair shop felt it best not to try to remove them since they were down tight and could damage that gorgeous laquer. They were able, however, to clean them up so they are the least visible.
Being so early for this model, it has a pyramid bridge and that classic 1929 gentle V neck shape that for me is the ideal shape. Other standard style-40 features are abalone border around the rosette and the body—it differs from style 42 only in that the 42 continues the pearl border around the fingerboard where it overlays the top, unadorned slotted peghead, snowflake inlays from the fifth to the fifteenth fret, and perfect straight grained Brazilian rosewood back and sides. The tuners are aged repros.
• String spacing, 1 7/8" x 2 3/8"
On Hold
This Guitar Is Not Stored On Our Premises! Call for appointment.

Late 1920's Epiphone Recording Model D, A wonderful example, extremely rare original condition carved top in the larger of the two Recording Model sizes. Set-up perfectly, this box plays great with a punchy yet sweet and incredibly loud tone. You could drive a pretty loud acoustic band with this guitar and solo with plenty of volume. It's a gorgeous instrument as well, unique and iconic
• Cash price, $9875
This Guitar Is Not Stored On Our Premises! Call for appointment.

Late 1920's Epiphone Recording Model A, One of the great unsung American guitars, these Recording Models were Epiphone's first guitar line, designed after Gibson's new F-style mandolin, and possible the first American cutaway. The Recording Models are all laminated maple back & sides and very light and responsive spruce tops. The good ones have amazing volume and punch with an exciting quality of flattop/archtop tone, and this one tonally, is one of the great sounding examples.
• Cash price, $3250

1930's Oahu Maple, Oahu and Bronson are closely related, started by half brothers (Oahu) who later split up into the two companies. Their guitars were Chicago made, by Regal, Stromberg-Voisinet or the Kay Custom Shop (in which the top end guitars were made by old world immigrants who had made guitars in Europe). An Oahu of this quality is extremely rare; most were student grade or ladder braced. Almost all were made as lap-style guitars for the Hawaiian music craze in those days. This one is a maple Nick Lucas style, 14 1/2" bottom bout, 4 5/8" deep, scale length 25 5/8", with a pearl border, natural top and sunburst back & sides. Originally a square neck and beautifully converted with a forgery grade neck shaping and sunbursting. These single X-braced boxes tend to be some of the best sounding flat tops.
• Spacing: 1 3/4" x 2 5/6"
• The Bronson enterred below is the exact shame body shape and peghead, both being copies of the 1930's Gibson Nick Lucas with less depth.
• Excellent condition, great set-up
• Cash price, $6495

1930's Washburn 5237, Tonk Bros. Grand Concert (14 1/8") by Regal out of straight grain quartersawn South American rosewood back & sides, incredible best-quality spruce top, probably Adirondack (we can guess, but nobody really knows for sure), slot-head, extra-fine original condition except for forgery grade bridge replacement and an attractive patina of finish checking. The neck shape is big and round with spacing of 1 7/8" x 2 1/2"! These high-grade Regals are some of the best sounding guitars, and this is one of the best sounding of them that I've played.
• Cash price, $4479

circa 1930's Stahl Style 6, By the Larson Brothers, 15" Auditorium size. Actually, it falls somewhere between Style 6 and 7, having a pearl rosette and the multicolored wood purfling. The braces are not laminated, possibly one reason why this Larson has such a full, rich tone. It has a new Larson-style pickguard of ebony and pearl by Larry Robinson, and has its original hard shell case. There are three professionally repaired cracks in the top, two in the sides; they've been completely stable in the dozen or so years that I've known this guitar. As mentioned before, tone is remarkable: the treble is extremely singing and lyrical, sweet and full, the bass is quite rich with punch as well as warmth.
• Cash price, $9500
Available to be seen by appointment only, please call

circa 1930's Stewart by Harmony, OM size, jumbo shape, straight braced; super blues guitar, screaming treble and all. more info soon...
• Cash price, $875

1931 Martin OM-18, Natural finish, banjo tuners (meaning early 1931) professionally refinished, two patches in the sides, a couple of dings have been beautifully repaired by inlaying spruce, there are tiny screw holes where someone in the dim past screwed the pickguard down, the fingerboard has been planed straight and T-frets installed with what looks like epoxy filling the bar-fret slot. With all of this, what's left is a great looking, and particularly good sounding and almost vintage-correct original OM. It's priced right, and looks, plays and sounds top notch.
• Cash price, $12,395

1934 Martin 000-45, A unique custom instrument, 12-Fret slotted head, with the "CF Martin" logo inlaid in the peghead; the torch was last used in 1930 as far as we know, and so this one received the later '45' logo. Otherwise all is standard '45' appointments. There is some pick wear below the soundhole and some finish missing where a non-original pickguard had been removed, otherwise the everything is original except the bridge pins. A neck reset is badly needed, along with fret work, otherwise this is a strong, robust box with incredible tone. There is one short hairline crack in the top, perfectly repaired.
On Hold
Available to be seen by appointment only, please call.

1934 Martin 00-40H, In wonderful condition, this is the nicest we've seen in quite a while. The only non-original parts are the tuner plates, gears and buttons—the original shafts were retained. These are the only nice part of the old tuners. The posts are concave, with a ferule that sits in the inside holes where the posts end. This model is often the most remarkable sounding of the pearl Martins, having a unique power and presence. The conversion was done perfectly; we can't tell if the bridge is original or not, though the saddle is slanted, while the Hawaiians had straight saddles. In my book, a forgery grade bridge is at least as good as an original. I know it's counter to current trends, but for, me the current trend is way off the mark there. These are musical instruments, not stamps in the collector's vaults. The issue is having appropriate replacement parts: correct shape and footprint with the proper musical enhancements, such as the closed-end saddle slot.
• Cash price, $24,499
Available to be seen by appointment only, please call

1934 Martin 0-17, A truly vintage Martin at a price that's much less than it sounds! In other words, this is one amazing sounding guitar despite its extremely affordable price. Fourteen frets, all mahogany. Early 1930's quality, excellent condition, all original except for tuners, great set-up. Some finish wear but no cracks or issues.
On Hold

Ca. 1935 Gretsch Model 40 Hawaiian Guitar, #5080 stamped on top edge of peghead. This is a very cool 16” ex braced small jumbo, set up for Hawaiian playing. Mahogany arched back w/ no bracing, dark sunburst spruce top, pickguard screwed on, 12 fret neck, ebony fingerboard, flush frets, 1 13/16” nut width, 2 3/8” bridge spacing, 25 7/8” scale, maple 3 piece neck, perloid peghead overlay. All original, including tuners, bridgepins, endpin. Has a cool period Lifton hard case in pretty good shape. Near excellent condition, some nicks and scratches, no cracks or repairs.
• Cash price, $2500

1936 Bronson Deluxe, Oahu and Bronson are closely related, started by half brothers (Oahu) who later split up into the two companies. Their guitars were Chicago made, by Regal, Stromberg-Voisinet or the Kay Custom Shop (in which the top end guitars were made by old world immigrants who had made guitars in Europe). This Bronson is their top quality, 00+ size, Brazilian rosewood, X braced and is originally round-necked—a rare standard format—most were Hawaiian square necked. The neck is wide and thin—very modern in a way. Very nice mother-of-pearl square, elegantly engraved fingerboard inlays, 12-fret neck, all original except maybe the bridge. The X-braces versions of Oahu and Bronson are incredible sounding guitars, like no other, and must be played to be appreciated (duh!).
• 14 1/2" bottom bout, 4 1/2" deep, scale length 25 5/8". Spacing is 1 13/16" x 2 5/16"
• The Oahu enterred below is the exact shame body shape and peghead, both being copies of the 1930's Gibson Nick Lucas with less depth.
• Cash price, $6485

1937 Martin 000-18, One of the most beautiful pre-war Martins I've run into. I've had my eyes on this one for several years and am very happy to offer it for sale here. The one flaw is a faint hairline on the top perfectly repaired, with a slight rub-out of the finish around it, hardly visible. The rest of the guitar is simply gorgeous, looking practically new. It's led a life of comfort, with no exposure to sunlight, probably polished regularly. The finish is not darkened, is a beautiful natural Adirondack spruce color, definitively original. It's had a great set-up, and totally wonderful tone. (You can tell I like it, can't you!)
Sold

1938 Martin 0-17H, Very sweet Hawaiian (lap) style as yet unconverted. All mahogany with flush bar frets, excellent cosmetic condition with a few repaired hairline cracks. There a couple added braces in the top that would be great to have removed, though it still sounds great.
• Cash price, $1775

1941 Martin D-18, Bought used in 1942 in Arkansas by the last owner and being sold for the family, this well-played yet amazingly well cared for 1941 Martin is in remarkable original condition. There is pickwear in one or two areas, no cracks, no apparent repairs or replaced parts and the action is decent bluegrass action. The frets are worn, and a neck reset will be needed for super low action with medium strings. It's such a pleasure to see and play a fine instrument like this in such wonderful condition. The tone is more crisp than our other '41 D-18, very sweet mids, lots of power.
• Serial number is 78000!
• Cash price, $32,250
This Guitar Is Not Stored On Our Premises! Call for appointment.

1941 Martin D-18, Just in, A wonderful example, fully original including case, bridge, saddle, frets (two tuner gromets have been replaced and the end pin is gone), excellent condition, never been worked on. There a couple spots of pick wear and a couple small damage spots on the treble side. This gorgeous thing comes from Iowa, hasn't been played since 1952. The tone is very open, deep and resonant, incredibly powerful. We're looking forward to playing this guitar in, seeing where the tone goes.
• Cash price, $27,495
This Guitar Is Not Stored On Our Premises! Call for appointment.

1941 Martin 00-17, Incredible still-shiny condition and tone that is the equivalant or better than many of the spruce-topped Martins of this period. All mahogany, scalloped braces, 1 11/16" nut width, metal T-rod in the neck, fully original condition. There are a few dings here and there, but otherwise it could have come from a trip in a time machine back to 1941.
• Cash price, $3895

1942 Gibson Banner J-45, Fire stripe pickguard, exc. cond, no truss rod; we're redoing the usual Gibson unglued top braces (Only A Gibson Isn't Glued Enough)—it's taken a very long time, but we're sure the results will be worth it....still in the shop!

1942 Martin 00-18, Super nice, some cracks in the sides; top and back are quite nice, gigantically full, rich deep sound, just had full reset/setup from us, looks great!
• Cash price, $5750

1944 Gibson LG2 Banner, A beautifully clean example except for finish gouges in the back of the neck, we've done the total "Only Gibson Isn't Glued Enough" restoration, reglueing braces, resetting the neck, etc. Perfect forgery grade bridge including using the mystery wood that showed up on some Gibsons from this period, new original spec bridgeplate—a necessity in flattening these tops, and reglueing the one back crack. Repairing these old Gibsons is an art form, and when done right, as in this repair, the guitar can be better than new, structurally and tonally. This is now what has to be one of the cleanest and best LG-2s! Interestingly, it is a four-piece top.
• Cash price, $5665

1944 Martin D-18, Scalloped, gorgeous top, same species as the famous 1943 Martins, one top crack expertly repaired with spruce inlay, refinished heel to cover a mark 3" up the neck from the heel, replaced bridge plate, sounds particularly good - voud, clear, punchy, full....
• Cash price, $17895
Can be viewed by appointment only...please call.

1945 Martin 000-18, A 100% original guitar with a bit of finish wear, especially on the back of the neck. The tone is quite rich with a fascinating focused dry quality with good note separation despite its fullness and depth that will be very refreshing for many musicians. The Adirondack spruce top is a beautiful deep golden color, there are a few side cracks and one in the back, solidlly but not professionally repaired, and a small perfect patch at the very edge of the bottom bout, treble side of the top. Fingerboard and bridge are Brazilian rosewood with the wartime deep-ish shaped no truss rod neck. This guitar is set-up to play perfectly, though the saddle is leaning in the slot; a rare sounding and exciting-to-play instrument.
• Cash price, $8775

1945 Martin 000-28, A guitar that has been the primary instrument for a semi-professional player for almost half a century. It has been much played but cared for with love. The braces were shaved about 35 years ago, there are several professionally repaired cracks, including a small missing chip at the north end of the soundhole; all parts are original, including the brass frets, the finish shows much patina and wear and looks beautiful. From early 1945, when Martin was still using Adirondack spruce, and the back is Brazilian rosewood of highest quality, with much of the famous black spider-webbing in the grain.
• Cash price, $17,995
Can be viewed by appointment only...please call

1945 Martin D-18, Fully restored to excellent condition, refin, repaired cracks, new oversize bridge. Bracing is fully original and tone is great. Characteristics of 1945 Martins include Adirondack spruce top and tapered braces that are smaller than later years.
• Cash price, $6195


circa 1950's Kremona-Bulgaria Gypsy, A rare, large steel string flat-top with tailpiece and floating bridge, from a well known guitar factory in Sophia, Bulgaria. This must be their image of what American guitars look like!
• Cash price, $1200


1954 Martin D-28, A fine example, in excellent condition; clear, full tone with plenty of power and lots of brightness. There is pick wear on the top, back & sides are great, with first class straight grain quartersawn Brazilian rosewood. All original except for slightly oversize bridge by Yuris Zelton of San Diego. There is a three inch possible crack in the top at the end block.
• Cash price, $8970

1955 Gibson LG-2, In beautiful condition, low action, and a sound that draws the player in - you can't stop playing it. On close examination you see two wonderfully repaired hairline cracks, one on the top and one on the back. Everything is tight, no loose braces, all parts are original, and the finish is in fanastic condition.
• Cash price, $3795

1963 Martin D-28, A much played and very fine sounding D-28, it's had a recent neck set, has extensive finish wear and a couple of hairline cracks in the back at the but end. All parts are original, the Brazilian rosewood is top grade, action is low, braces are clean and original.
• Cash price, $5385

1964 Gibson LG-1, The model that started more musical lives than any other, this is a clean, excellent condition example. Revive your childhood guitar experience!
• Cash price, $1585

1964 Martin 000-28C, Martin's flagship classical of the time, based on their 12-fret 000 body shape. This period is known for some of Martin's most beautiful Brazilian rosewood, and this one is no exception. It is in almost perfect condition, and is a fine sounding example.
• Cash price, $5795

1964 Guild M-20, A rare Hoboken Guild, when Guild was building guitars comparable to early 1940's Martins. This model is all mahogany and single O size, and has always been a real sleeper in the vintage world, surprisingly full and responsive.
• String spacing: Almost 1 11/16" x 2 1/8"
• Cash price, $1895

1965 Martin D-28, Virtually mint condition, and fabulous sounding, with classic 60's (some of the most beautiful) straight-grain quartersawn Brazilian rosewood. Top is medium grain width with lots of silk, indicating that they are perfectly quartersawn. Tuners are the original Grover Roto-Matics, there is no sign of wear or of any repairs at all. This is like taking the time machine back 46 years to by this guitar brand new.
Sold

1965 Martin D-28, beautiful condition - close to perfect, borderline neck reset candidate.
• Cash price, $

1966 Martin D-12-20, #216039. This is a super clean condition guitar that still has its original tortoise pickguard, all set up and ready to go. Excellent plus all original condition, no cracks, neck re-set with slight fingerboard and bridge planing (probably Martin factory work), hardly any playing wear, all original including tuners, bridge, and pins. A very nice clean early Martin mahogany 12 string in its original hard shell case.
• Cash price, $1950

1989 Steve Andersen Concert, An OM with gorgeous flamed maple back, sides and neck. An astonishingly responsive instrument, a great example of how wonderful maple can sound.
• String spacing, 1 11/16" x 2 3/16"
• Herringbone purfling, Ivoroid binding
• Rosewood fingerboard and bridge
• Schaller tuners with real pearl buttons
• Excellent condition with a few minor dings
• Cash price, $4795

1989 Schoenberg 000C Soloist, An early example, assembled at the Martin factory with additional worked by Dana Bourgeois, both at his shop and in Nazareth. Back and sides are dark chocolate Brazilian rosewood, top is gorgeous bearclaw Engelmann spruce out of Idaho. A K&K pickup with mini-jack has been installed, condition is better than excellent.
• String spacing, 1 3/4" x 2 7/8"
• Cash price, $9250


1991 Schoenberg Soloist, Formerly owned and extensively used by Rory Block, made for her by Schoenberg Guitars and C.F. Martin out of Indian rosewood, Sitka spruce, 1 11/16" nut width and Fishman pick-up. Rory has performed and recorded with this guitar extensively from 1991 till she switched to her endorsement with Martin, and it can be seen with her in many promotional photos and album covers. As a result of its long life on the road it has sustained some damage to the top above the soundhole, with repairs by Schoenberg Guitars co-owner at the time, T.J. Thompson. It is now very solid, plays great and sounds lovely. The Soloist model is based on the specs of the early Martin OM: 14-frets to the body, 000 size (15" width of lower bout), long scale (25 3/8"), 4" deep at endpin.
Hold

1995 Goodall JM-12 708, A custom version of Goodall's top-of-the-line 12-string, 17" body, gorgeous flame maple back, sides and peghead veneer, maple neck, nut width 1 15/16", rosewood binding, abalone rosette and fingerboard inlays, saddle individually intonated for each string, great low action and mountains of tone.
On Hold

1995 Schoenberg 000 Soloist, From our Littleton, MA shop, this 000 cutaway Soloist is a vibrant, lively sounding guitar, wonderfully balanced and sweet. Woods are Indian rosewood and European spruce, pyramid bridge, tarnished Waverly tuners.
• String spacing, 1 3/4" x 2 3/8"
• Cash price, $6450

1997 Collings DS-1A, A powerhouse of a guitar, one of the best Collings I've played (of course, I'm partial to 12-fret Ds). This is a slotted heat 12-fret out of mahogany and Adirondack. There are a few dings here and there - the condition is otherwise quite nice. Tonewise, this guitar is a perfect marriage of the depth and richness of a 12-fret D with the perkiness of Collings—it's thrilling to play.
• Nut, 1 13/16"; bridge, 2 3/8"
• Cash price, $3449

1997 Martin D-45VR, Sitka spruce and Indian rosewood, pearl inlay at every joint plus snowflake fingerboard inlays and the "CF Martin" logo in pearl on the peghead, high X scalloped braces, gold butterbean tuners, vintage specs except for the Chris Martin signature in pearl on the fingerboard extension and aging toner on the top. From the first year of production with 71 made that year; this is an extremely classy guitar.
• Cash price, $5379

1998 Fylde Oberon, #4886, made by Roger Bucknall in the English Lake District. This is the classic English fingerstyle guitar, made popular in the ‘70’s by Nic Jones, Martin Carthy, Archie Fisher, Davey Graham, Bert Jansch, and many others. This one is a 25th Anniversary model, and has lovely multicolored wood purfling to the top, rosette and back. Nice tight straight grain Indian rosewood back and sides. Large 000 size, 15 1/4” wide body, 24 3/4” scale, 1 3/4” nut width, 2 1/4” bridge spacing. Nice slender neck. With original Hiscox case.
• Cash price, $3500

1999 Gibson J-200, As new condition, these recent J-200s tend to be of better quality than most vintage examples. The older ones were overbuilt to the point of being quiet, small sounding boxed in spite of the large air cavity, while these more recent ones are a lighter, better build—the older ones tended to collapse at the neck-to-body joint.
• Cash price, $2875

2002 Martin OM-28 Custom, Custom ordered by us, out of Italian spruce and EI rosewood non-cutaway with vintage details: herringbone, V-neck, OM pickguard, short pattern diamond & squares, scalloped bracing and more, in close-to-perfect condition.
• Cash price, $3395

2002 Martin OMC-18VLJ, #881093, #45 of 133 made. Adirondack spruce top, Honduran mahogany back, sides & neck, Waverly tuners, deluxe hard case. Great sound, a very well made OM-18 replica with a cutaway. Highlander pickup and new ivory bridge saddle installed by Ron Saul, RLS Enginnering, San Luis Obispo.
• Cash price,
$2750

2003 Graziano Parlor, By Tony Graziano, of Santa Cruz, out of gorgeous quartersawn Brazilian and top quality Euro or Engelmann spruce. The tone is wide open, coming from a lightly built instrument, with a neck shaped for classical style position. New neck reset by Tony, now plays great!
• Cash price, $2849

2003 Randal Kramer Prairie Grass, A truly gorgeous example of Sparky Kramer's art. It's a 14-fret slope-shoulder design, only 15 1/4" wide and 4 3/8" deep, sort of a mini Gibson style J, with a 25 1/4" scale. The top is European spruce, back and sides are ziracote, which, as you can see in the photos, is beautiful. The carved heel is an unusual and beguiling touch.

• Cash price, $4500

2004 Alberico OM "Heather", A work of art, from Fabrizio Alberico of Vancouver, BC. Woods are dark, rich quartersawn cocobolo and european spruce, with cocobolo binding and peghead backstrap. This is a cocobolo sounding guitar - clear, precise quick response, while being sweet with great projection.
• 15 1/2" wide, 4 7/8" deep, long scale
• Spacing: 1 3/4 x 2 1/4"
• Cash price, $5625

2004 Gibson L4A, a no-frills version of the J-185 cutaway, this one is maple, although the specs call for rosewood. 16" body, tobacco burst, 1 11/16", abalone rosette.
• Cash price, $1369

2004 Schoenberg 000C Standard, An extemely beautiful Schoenberg 12-fret 000 cutaway built by Bruce Sexauer, with gorgeous AAAA grade Brazilian rosewood and Italian spruce. It has a solid peghead with the Schoenberg logo, pyramid bridge, pearl rosette, simple wood purflings, short pattern diamonds and squares on the fingerboard and a deep, lush, bright and responsive tone. Condition is close to perfect.
• String spacing, 1 13/16" x 2 3/8"
• Cash price, $8995

2005 Martin 000-28VS, A favorite model from Martin's 'Vintage" line, a 12-fret 000 with spruce top and Indian rosewood back & sides, 1 13/16" nut width and the big, rich tone that comes with with this most successful of Martin's body styles. A few dings, otherwise excellent condition.
• Cash price, $2495

2006 Ted Davis Jumbo, Gibson style Jumbo, an Advanced Jumbo in woods, bracing and most cosmetic details with the exception of scale length, which is 24 3/4", by Ted Davis, of Loudon, TN. This is an unsold instrument from Ted's estate which has been set up and prepared for sale by John Arnold. Woods are spectacular Brazilian rosewood from the very first batch of stump wood imported by Todd Taggart of Allied Lutherie, and the highest quality Adirondack spruce (Ted, along with John Arnold, was responsible for the modern availability of this amazing tonewood).
• Dry, powerfull, loud, clean, beautiful tone
• Waverly tuners, Greven pickguard
• Spacing: 1 3/4" x 2 5/16"
• Cash price, $7849

2006 Bruce Sexauer FT-16 'Penngrove', A new 16" cutaway by Bruce out of Honduran rosewood and Italian spruce, with snakewood binding, 1-3/4" at the nut and 2-14" at the saddle. Bruce sees this as his 'troubador' guitar—it is light and responsive, and great for finger-picking, but it also takes well to a flat-pick. Overall, it has the balance of a superb OM, but with more power in the lows & the mids; the highs are a cascade of light and shimmer. There is power without harshness, and surprising sustain. The Penngrove is long-scale and has inlaid egrets for fret markers.
• Cash price, $6495

2006 Bourgeois Signature D, A unique model with several delicious details from Dana. This is a custom Brazilian/Adirondack made for the 2006 NAMM show with particularly spectacular wood choices, including the highly flamed maple binding. The model specs include a subtley beautiful multicolored herringbone purfling and hide glue construction. This example is in close-to-mint condition with a Baggs Active IBeam installed. Tone is crisp and solidly powerful.
• Cash price, $5795

2007 Santa Cruz H-13, As-New condition Nick Lucas inspired guitar out of Brazilian rosewood and Adirondack spruce, slot-head, fancy multi-colored body purfling, pyramid bridge, 1 3/4" nut width. This is an exquisite instrument with perfectly straight dark quarter-sawn rosewood, gorgeous spruce, and startlingly lovely tone.
Sold

2007 Schoenberg Soloist, 000 size non-cutaway out of top-grade Madagascar rosewood and top-grade Adirondack spruce, binding of snakewood, belly bridge, 1 3/4" x 2 3/8", no fingerboard inlays, Waverly tuners, natural varnish finish. This Soloist is remarkable for its bigger than usual sound and great balance.
• By Bruce Sexauer & Eric Schoenberg
• Cash price, $7880

2008 Martin Custom 000-40, 12-Fret 000-40+ style in amber burst top finish, Premium Engelmann/"Blistered" (intensely flamed) Koa, Quilted Bubinga binding surrounding the whole instrument, backstripe and end strap, Ebony headplate, Wood selected by Ed , neck: Modified V, Nut: 1 13/16, Bridge: 2 5/16", Bone nut & saddle, pyramid bridge with lon drop-in saddle, fossil ivory pins, Custom TKL hard shell case. Original retail: $11K. Includes original Soundhole Cutout, stamped as Custom Shop w/serial number.
• Cash price, $9770


2008 Brondel B-2, 000 12-fret, 15 1/4" wide, 4" deep, Carpathian, Honduras (very straight, tight grained with a small accent of heartwood in the center), plus a Honduras back plate on the headstock, lots of bass very responsive. Thin C shaped neck, Laurent's sexy twisted purflings around edge and rosette otherwise a simple, unadorned look, no fingerboard inlays.
• String spacing, 1 3/4" x 2 1/4"
• Gotoh Sta-Tites, Ebony buttons
• Varnish finish
• Cash price, $3750 ... new lower price

2010 Lowden F-38, A beautiful top-of-the-line Lowden. We don't get these very often, so this one is a real treat. It has a sweet, dry, crisp Fumé Blanc (or perhaps a French Chablis oui non?) kind of tone, very balanced, a flat-top jazz box, with beautiful workmanship and detailing.
Cedar top Brazilian Rosewood back and sides from natural fallen trees
Rosette: Abalone, Rosewood, Sycamore, mahogany, Walnut
Binding: Figured Sycamore, Purfling: Rosewood, Abalone
Neck: 5 piece: “Church pew” Mahogany/Rosewood/ Walnut
Width at Nut: 1 3/4", Bridge: 2 1/4", Scale: 25 1/2"
• Cash price, $6995

2010 James Russell Deep Lake CE, A gorgeous 16" guitar by Schoenberg builder James Russell of Redding, CA. Features are an oval soundhole, Venetian cutaway, Carpathian spruce top and Madagascar rosewood back & sides, fingerboard, bridge headplate, flamed koa binding, herringbone purfling & rosette and gold Waverly tuners. Scale length is 26", with passive Highlander pickup. I'm told the box sustained some cracks in its trip down from its former home in Alaska, however James has worked magic on it and they are totally disappeared.
• String spacing, 1 13/16" x 2 3/8"
• Scale length, 26"
• Cash price, $5350

recent Merrill OM-28, Amberburst finish, herringbone binding, pyramid bridge (with closed saddle slot), patterned after an original OM-28, of which Martin made very few in the shaded top finish (which these days is being called "Amberburst" to differenciate it from the later, much darker Gibson-style bursts that Martin did in the later 1930's). This one has Adirondack top and cocobolo back and sides, which works well, being a brighter tone wood, with Jim's bassy, rich tone quality.
• Cash price, $6495

Recent Collings C-10 Deluxe, Mahogany Back, Sides and Top, very lightly built for Collings, and in barely played, as new condition. Fully bound in ivoroid, tiny fingerboard pearl dots, subtle flamed mahogany stained to a traditional dark color, smallish rounded heel and the Collings sexy asymmetrical peghead shape. This guitar is very lively, responsive and sweetly bright with excellent balance. The bass is not gigantic, of course, but it is surprisingly rich and pleasing.
• Nut Width, 1 3/4"
Cash price, $3495

Recent Collings D1A Varnish, Mint condition, Adirondack Spruce top with Honduran Mahogany back and sides. Ebony fingerboard and bridge. Tortoise body binding and a gorgeous Varnish finish.
• 1 11/16 x 2 3/16 spacing.
• Cash price, $5249

Recent Santa Cruz 1929 00, This instrument's design pays homage to the simple and elegant instruments made during the Great Depression, with vintage inspired appointments of the lower end Martins, at a time when all models were made of the same extreme quality irrespective of price.
• Solid mahogany top, back, sides and neck
• 12 frets, Scalloped bracing
• Spacing: 1 3/4" x 2 3/16"
• Scale: 24.75"
• Cash price, $3295

Jack Spira Ditson 1-45, One of two 1-45 copies made by this talented Australian (from the Dandenong ranges in Gippsland east of Melbourne) builder, copies of the Martin made Ditson model, of which only four are known to exist. This one is out of top grade Adirondack spruce and old growth Brazilian rosewood and fossil ivory, with a traditional shellac finish and hide glue construction. One touch of modernity is an adjustable truss rod. For a detailed story of its construction, check http://www.guitarbench.com/2010/04/14/jack-spira-ditson-build-diary/
• Cash price, $4995

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ARCH TOPS AND ELECTRICS

circa Late 1920's Clifford-Essex Paragon, #102, extremely rare hand-made archtop made by Mario Roccia, circa late 1920s, for Clifford-Essex of London. It has a beautifully carved high arch, oval soundhole and 12-fret neck. This is a wonderful sounding box, great for fingerstyle, loud, crisp, warm.
• Body, 15 3/4"; scale, 25"
• String spacing, 1 3/4" x 2 1/4"
• Cash price, $3750

1932 Epiphone Deluxe/Triumph, An interesting, unique guitar, with the asymetrical Deluxe peghead and the Triumph body, with walnut back & sides. The neck a five-piece lamination of mahogany & maple, fingerboard inlays are slotted diamond s as found on the Recording Model C guitars. Everything appears to be original, with a perfectly shaped V-ish neck and plenty of neck angle.
Sold

1933 Gibson L-7, A rare and special beauty, in absolutely amazing original condition! From the early Gibson period when the L-5 and L-7 were both 16" wide. This example is special in that it has gorgeous Lucas-style decoration: fretboard inlays, bound peghead with inlaid fleur-de-lie and old-style script logo. Still has its original red-stripe case. We've just reset the neck: it plays and sounds wonderfully, superb for fingerstyle as well.
• Cash price, $5395

Early 1930's Gibson L-7, Sixteen inches, exactly the same as the above guitar. Some playing wear and minir dings, all original including case, extremely light weight. This is a lovely sounding arch-top: responsive, great fingerstyle instrument, the neck is less deep than our other L-7 of this period and feels great, with a 1 3/4" width at the nut. The fact that there are two of these here at the same doesn't make them less rare. This happens some times and we love it!

circa 1938 Gibson L-7, Picture frame inlays, rare engraved "L-7" tailpiece, X-braced, excellent condition, replaced tuners and pickguard. The original red-stripe case has a Vargas girl applied to the inner lid.
• Cash price: case is $3500, guitar comes with it for free.

1938 Gibson L-5, Blonde, in excellent original condition, including case. Sounds great!! Also looks beautiful—great flamed maple, excellent action. Parallel bracing, unlike the L-7 above, even though they were made around the same time. More info coming...
• Cash price, $8495

Maybell Archtop, By Slingerland, of Chicago, this is a round-hole archtop, 13 1/2" at the lower bout, 25" scale length, slot-head, and, best of all, 14 frets to the body. The trapeze-style tailpiece is stamped "Slingerland". Top is Adirondack spruce, back & sides mahogany.
• 1 3/4" nut, low action
• Cash price, $1275


circa 1936 Gibson L-75, A rare and interesting 16" fully carved round-hole archtop with mahogany back & sides. Having been exploring the world of round-hole archtops, this one intrigues me. Very similar to the early 1930's round-hole L-4s, differing only in the use of mahogany instead of maple for the back & sides. It's lightly built and has a resonant and full tone, just a shade different sounding with the mahogany. We've patched a hole in the treble side, expertly done by archtop.com, all parts are original except for one tuner.
• Cash price, $2849


1939 Harmony or Kay, No name, but it's a decent inexpensive box with a nice neck shape and low action. It's first owner wrote inside, "Lillian Rena Hadwell, December 25, 1939, M.W., Vida, Montana." Hopefully it made her Christmas a happy one.
• Cash price, $525

1959 Guild CE100DB, An excellent original condition early Hoboken Guild, with double white-cover single coil P-90 style pickups. The first model with the florentine (sharp) cutaway, it features a body that is 16 1/4" wide and 2 3/4" deep, 24 3/4" scale, all maple construction, sunburst finish, Guild harp tailpiece, Kluson Deluxe tuners. The only wear is some through-the-finish dings on the back of the neck behind the 2nd & 3rd frets.
• Cash price, $2975


1961 Gibson ES-335, Cherry finish, stop tailpiece, pat. pending humbuckers, excellent condition and very beautiful sounding, full 1 11/16" nut width. The only anomally are small screw holes around the end pin, as if it had a Bigsby added and removed at some time, though there are none of the other holes in the top usually associated with Bigsby.
• Cash price, $23,750
Can be viewed by appointment only...please call.

1962 Fender Stratocaster, Excellent original 3-tone sb, green guard, slab board, all original parts including tweed case.
• Cash price, $19,975
Can be viewed by appointment only...please call.

1963 Gibson SG Les Paul Std, A rare version from early '63, one PAF (the neck pickup), "Les Paul" truss rod cover, Bigsby tailpiece, Tunamatic bridge, nice meaty neck shape with 1 11/16" nut width, a few finish dings, selector switch is worn and hard to get into center position—a simple repair, otherwise excellent, with orig. hard shell case, black with yellow lining.
• Cash price, $13,495
Can be viewed by appointment only...please call.


1985 C Hall Baritone, From Ted Greene, a solid body 27.5" scale baritone guitar, a prototype by Charlie Hall of Frazier Park CA. Charlie, a musician and small shop builder, was a friend of Ted's who brought over this prototype on one of his visits. Ted flipped over it, asked if he could buy it, and Charlie gave it to him. It is tuned down a major third, to C, neck through design with a seven piece laminated neck, double cutaway, two double coil pickups. Charlie's guitars generally sell in the $5000 to $10,000 range.
• 1 11/16" x 2 1/8"
• Cash price, $1795

2001 Alembic Garcia Tribute Guitar, Second gutar in a series built as a Tribute to Jerry Garcia and his famous guitars "Rosebud" and "Tiger" originally built by Doug Irwin at Alembic in the late '70's, with its original certificate, model TLG-6, never played, with original papers. This guitar appears to be earlier that other prototypes that have been described as "the first" of the series. Serial Number is 01T 12701, completed on November 28, 2001.
• Carved Coco Bolo top & back
• Western Flame Maple core & Vermilion accent laminates with Maple pinstripes
• Continuous wood backplates
• Custom tailpiece shape
• Western Flame Maple neck with a Cherry center laminated with purpleheart and maple • Sterling silver, Abalone and pearl medallion inlay
• Unique tailpiece of brass & ebony
• Built-in effects loop with "very speciel" electronics
I believe these are photos of this guitar during the construction site: http://www.alembic.com/info/FGC_1.html
• Cash price, $7895


Burns by Baldwin Split Sound, Made in England by Burns, this a three pickup design, each pickup being split with two separate coils, wired to a rotary control with four options. Wild dog” is an out of phase sound with very high treble, “Treble” is the bridge pickup, “Jazz” is the neck and centre pick ups and “Split sound” is something quite original. The coil under the treble three strings on the bridge pickup is paired with the coil under the three bass strings in the neck pickup. Thus the sound is “split”, the treble strings were very treble and the bass strings very bassy. These pickups are low impedance with a matching transformer. The coils are wound separately and then placed into the housing around the magnets. Brian May used Burns pickups in the famous guitar he built and plays. The tremolo is a unique and effective design. From the Ted Greene estate.
• Cash price, $1199

Michael Hemken 17, This archtop guitar was recently on display at the Oakland CA Airport at the exhibit entitled “Music Makers”. The back of the guitar was carved from Big Leaf Maple. The top is carved from Sitka Spruce and all appointments are ebony. The corner sound hole puts the sound closer to the player, while maintaining its projection and punch. Michael has a way of making arch-top guitars with an incredible voice—flat-top quality richness with arch-top balance and clarity.
• Cash price, $6795

New Renaissance RS-6 Fingerstyle, Rick Turner's fabulous thin acoustic/electric series. Years of trying to perfect the acoustic pickup led Rick to perfecting the perfect guitar body to get the most of the pickup. This example has a gloss spruce top and satin fiish mahogany, 25.5" scale with Rick's D-TAR 18 Volt preamp and pickup system.
• Wider nut and bridge spacing made specially for us, the Fingerstyle Guitar Capitol Of The World.' We are nuts about wider spacing!
• Nut width, 1 3/4", bridge spacing 2 5/16"
• Thinline body built like a fine acoustic, but with an added mahogany center block to cut feedback
• A Turner piezo bridge pick-up feeds fßull-spectrum signals to an 18-volt Turner pre-amp
• Low-noise volume and tone controls
• Designed from scratch to produce premium acoustic tone as an amplifiable, recordable electronic signal.
• Cash price, $2195

Renaissance RN-6H Custom, The Renaissance Nylon String Hybrid with koa back & sides and cedar top; designed to reproduce full-frequency acoustic tone for recording and performances - a job that true acoustics are not cut out for! The thinline body is built like a fine acoustic guitar, but with an added mahogany center block to cut feedback. A Turner piezo bridge pickup feeds full-spectrum signals to an 18-volt D-TAR pre-amp.
• Cash price, $2489


Eastman AR905CE, Eastman's nicest 16" Acoustic, Natural finish, wood bindings, gorgeous flamed maple, 1 3/4" nut width. Very beautiful, fully hand-carved, all solid, lightly built and pure toned. Cutaway, Kent Armstrong floating humbucking pickup, volume and tone controls nicely hidden under the bottom edge of the ebony pickguard, beautiful ebony tailpiece.
• Cash price, $2716

Eastman AR810CE, 17" body, flame maple back, sides and neck, spruce top, remarkably loud and clear tone with sustain and response. This is a fully hand-carved instrument equivalent in quality to high-end hand-made archtops that could easily cost five times as much if it were made in the US.
• Cash price, $1996

Eastman AR 680CE "Pisano", World renowned jazz guitarist John Pisano personally designed his signature model archtop guitar from top to bottom. Working closely with Eastman craftsmen, John included all of the features and performance he ever wanted in a guitar. John also collaborated with noted pickup designer Kent Armstrong to create a custom humbucking pickup that captures the complete tonal spectrum of John’s creation. The result is a magnificent instrument that sounds as glorious plugged in as it does acoustically.
• Deluxe archtop personally designed by master guitarist John Pisano
• Hand-carved spruce top & mahogany sides & back
• Custom Kent Armstrong humbucker pickup
• Cash price, $2049

Loar LH-650-VS, One of the wonders of the modern age, Loar is making by far the best archtops for the $. This is all solid hand-carved and graduated, nitro-cellulose finished, strongly based on the early 16" L-5. 1 3/4" nut, 24 3/4" scale.
• Cash price, $1349

Loar LH-700-VS, Loar's much talked about top-of-the-line model, all solid, all hand-carved top and back, best woods, rounded V neck profile and hand rubbed lacquer vintage-sunburst finish. An incredible vintage style archtop in the early 16-inch L-5 mode. Includes deluxe hard shell case!
• Nut width is 1 3/4", Spacing at the bridge is 2 3/32"
• Cash price, $1499

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AMPLIFIERS


recent Roland Acoustic Chorus AC-60 Combo Amp, An innovative combo amp with rich, natural tone.
• 2-channel design: Guitar input plus mic/line input with phantom power
• Stereo 30W/dual 6-1/2" speakers loud enough for club gigs and small PAs
• DSP for lush stereo/multiband chorus, new tech "wide" mode chorus and delay
• Shimmering reverb tailored for acoustic guitar
• Built-in Auto Anti-Feedback controls, Mute switch for silent tuning on stage
• Stereo line out for PA and recording; subwoofer output
• Built-in tilt stand
• Cash price, $439

Recent Trace Acoustic TA40CR, in transit
• Cash price, $275

New Austin Songbird, The best jazz amplifier I've ever heard, made here in San Rafael entirely by hand by Kirk Austin, whose original influence came in 1967 from his teacher, the great jazz guitarist Ted Greene. All Tubes, Completely Unique, Audiophile Quality Convincingly Acoustic. Based originally on schematics supplied by Ted of the early Fender amps and extended by studies of the modern advances in audiophile tube amplification, with the simplest possible signal path, minimum number of tone-robbing capacitors and a closed-back cabinet designed to work like the body of an acoustic guitar. The sound has a dramatic three dimensional quality and acoustic-like presence like no other amp. There are no tone controls, due to the absence of any phase smearing tone controls. Great care is taken to ensure that the sound coming out of the speaker is as natural as possible.
• Cash price, $2199

We carry the Ultrasound line of acoustic amplifiers. They are priced very nicely, and seem to sound better than anything else we've tried in their range. Steven Stone's column in the latest Vintage Guitar Magazine reviews them very highly

UltraSound AG-15, The newest on the line, a small wonder. The AG-15 gives you award winning Ultrasound tone at a very affordable price. Features include a warm low/mid frequency special design 8" coaxial speaker, sparkling high end coaxial tweeter; bass, middle, treble, presence and master volume controls; and a 1/4" stereo headphone jack. 15 watts at 8 ohms, 14.5 lbs.
• Cash price, $139

UltraSound AG-30, The almighty 30 watt practice amp, actually some feel it's the best sounding of all. Has one 8" coaxial speaker and 2" tweeter. This one has the 'lean-to' stand installed.
• Cash Price, $219

UltraSound AG-50 DS4: 50 watts RMS, with the Alesis 16 progam chip, stereo effects, two 8" coaxial speakers with two 2" tweeters. This one has the 'lean-to' stand installed.
• Cash price, $469

UltraSound CP-100, The newest model, a very compact (smaller than the AG-50s) full-featured 100 watt amp, with two 8" coaxial speakers and a 2" tweeter, with Alesis 16 program effects chip and active eq. The notch filter is a sweepable 18db cut, the shape filter is a mid dip control with boosted high & low frequencies.. UltraSound minimizes the number of external adjustments needed by effective design of the internal electronics.
• EQ Section-bass and Treble Balance, Notch Filter- Eliminates Feedback, Shape-Controls.
• The EFX allows the player to input any special effects they want and this automatically overrides the reverb.
• The Line Out reproduces the signal; with effects/reverb, while Direct out eliminates the reverb effect.
• They have also designed-in short circuit and thermal overload protection, as well as sampling the speaker signal to eliminate unwanted power amp distortion. When you first turn on the UltraSound you will not hear the "popping noise" made by most amps and neither will you hear any "white noise". This kind of attention to details only enhances the UltraSound amps. • UltraSound designs a unit that is lightweight but still has a big sound. Read the CP-100 Review in Acoustic Guitar Magazine
• This one has the 'lean-to' stand installed.
• Cash price, $619

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GYPSY JAZZ GUITARS

Bob Altman SJ, Indian rosewood with maple bindings, a larger version of the "petite bouche" soundhole, mahogany neck and adjustable (height) bridge. This is more than a Gypsy guitar in that it is more versatile in tone, with a deep, rich sound as well as the loud, ultimately driveable treble. One of the best of this type I have played. New cost would be $5800.
• Cash prive, $2850

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RESONATOR AND HAWAIIAN INSTRUMENTS

1932 National Style 1 1/2 Square Neck, Exc. original condition, serial #2658, delicately engraved around all edges, out of German silver. Dopyera described the tone of these as a flowing river, with great resonance, complexity and sustain.
On Approval

1934 National Duolian, Original cone and biscuit, rolled 'f' holes, green duco finish, slot-head. There's a large area of pickwear, wear around the edges, one minor ing in lower treble side, otherwise excellent condition. The tone is deep, throaty, powerful, doesn't get much better. Set up by Mark Schoenberger. Original tuners in case.
Sold

1936 Dobro Model 27, Square neck, spider cone, Regal made in fabulous condition and perfect loud tone with tons of sustain. All parts are original including its soft shell case.
• Cash price, $1985

John Morton Parlor SS, Revolutionary hand made parlor (12 3/4") out of stainless steel, only 6.5 lbs (3 lbs lighter than tricone). New design for this model with long scale and wider spacing: 1 3/4" nut, 2 1/4" at the bridge. 14-frets to the body, slim flame maple three-piece neck. This model has lots of power but a small size, and is proportioned to balance comfortably on the player's knee.
• Cash price, $2950

2001 John Morton Resonator Weissenborn 7-String, A beautiful lap-style instrument dreamed up and brought to life by our metal magician, the Dr. Frankenstien of dobros, John Morton. This is a 7-string, brass bodied smaller version of a Weissenborn Hawaiian guitar, with side painting by Robert Armstrong of the Cheap Suit Serenaders.
• Cash price, $4465

New Nationals:

National El Trovador
, Based on Mike Dowling's tried and true 1930's El Trovador. A deep-bodied mahogany single cone, it has a number of significant improvements over the original designed, cooked up by Mike and the genii at National.
• Cash price, $2720

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CLASSICAL GUITARS

1924 Mario Maccaferri Classical, Extremely rare and important early cutaway classical, made by Mario in his first workshop in his home town of Cento, Italy. Possibly the earliest known example—he began his lutherie career in 1923—and especially interesting in that is a cutaway, with many details that already are pointing to his eventual Selmer models, such as peghead shape, neck joint, neck shape and cutaway shape. The body is maple, top is european spruce, body depth is 3 1/4" at its deepest, 14 4/6" at its widest, scale is 24 3/8", tie-on bridge with split saddle, dot inlays with a 9th fret instead of 10th fret inlay, no bindings. The neck has no heel, entering into the cutaway in such a way that allows access to the highest frets with a ledge for the thumb. The back is highly arched. The guitar was puchased in Italy in the 1950's, and is in fully original condition, no cracks. The tone is gorgeous—rich bass and fat, warm trebles.
• $Inquire

1963 Ramirez Flamenco, Stamped F.M., an excellent playing and sounding example, 655 mm scale, 52 mm nut width, one back crack, three side cracks, all seemingly solidly repaired, one 1.25" x .5" patch on treble side, the pickguard has become cloudy. Top is perfectly quartered extremely tight grain spruce in exc. condition.
• Cash price, $3495

1964 Martin 000-28C, Virtually mint condition, and fabulous sounding, with classic 60's (some of the most beautiful) Brazilian rosewood. Martin's flagship classical of the time, based on their 12-fret 000 body shape. This period is known for some of Martin's most beautiful Brazilian rosewood, and this one is no exception. It is in almost perfect condition, and is a fine sounding example.
• Cash price, $5795

Renaissance RN-6H Custom, The Renaissance Nylon String Hybrid with koa back & sides and cedar top; designed to reproduce full-frequency acoustic tone for recording and performances - a job that true acoustics are not cut out for! The thinline body is built like a fine acoustic guitar, but with an added mahogany center block to cut feedback. A Turner piezo bridge pickup feeds full-spectrum signals to an 18-volt D-TAR pre-amp.
• Cash price, $2489

Francisco Domingo FG-27, A new line by the makers of Recording King and Loar, this is an all-solid rosewood & cedar classical with their typical extremely high quality/cost ratio. In other words, it's fantastic for its price.
• Cash price, $395

Francisco Domingo FG-26, A new line by the makers of Recording King and Loar, this is an all-solid mahogany & cedar classical with their typical extremely high quality/cost ratio. In other words, it's fantastic for its price.
• Cash price, $339


We have a selection of high-quality student grade classicals, from $205-$600 by La Patrie (Godin/Seagull), as well as sized guitars for children. We start at 5 years old, which we feel is the youngest age for 6-string learning, with a 1/8 size, then we have 1/4, 1/2, and 3/4.
• Call for more information.

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INDEPENDENT LUTHIER GUITARS

2004 Alberico OM "Heather", A work of art, from Fabrizio Alberico of Vancouver, BC. Woods are dark, rich quartersawn cocobolo and european spruce, with cocobolo binding and peghead backstrap. This is a cocobolo sounding guitar - clear, precise quick response, while being sweet with great projection.
• 15 1/2" wide, 4 7/8" deep, long scale
• Spacing: 1 3/4 x 2 1/4"
• Cash price, $5625

1989 Steve Andersen Concert, An OM with gorgeous flamed maple back, sides and neck. An astonishingly responsive instrument, a great example of how wonderful maple can sound.
• String spacing, 1 11/16" x 2 3/16"
• Herringbone purfling, Ivoroid binding
• Rosewood fingerboard and bridge
• Schaller tuners with real pearl buttons
• Excellent condition with a few minor dings
• Cash price, $4795


Bellingen 00/OM-18, By luthier Andrew Campbell in Bellingen, Australia. Cambo lives and builds his guitars by the beautiful Bellingen River in Eastern Australia. This 00-18 is a joint project with Schoenberg Guitars, with the goal of traditional (early Martin) specs. Mahogany and Sitka, with a peghead/neck joint, simple appointments, long scale, full C-shape neck, 1 3/4" x 2 1/4" spacing, and a very lively, full and clear tone.
• Cash price, $3495

Brondel A-2 "The Eighteen", Built as an experiment—Laurent wanted to see the effects of implementing seeral "Martinesque" design considerations and compare them to a guitar built side-by-side out of similar matererials that is built to his own concepts. He had played our 1937 000-18 (see above), loved it, and was interested in tilting his style in that direction. This one is the Martinesque version. We think it' absolutely phenomenal and compares favorably with the 1937 Martin, although without the positive effect of 75 years break-in. We haven't heard the other Brondel of this pair, so can't speak to that comparison. This one is out of Carpathian spruce top, Honduran mahogany back & sides, Spanish cedar neck, Brazilian headstock overlay, end wedge and neck heel cap, Hot Hide Glue construction and Oil varnish finish in a beautiful early-Thirtie's style amber burst..
1 3/4" nut, 2 5/16", 25" scale
• Cash price, $5995

2008 Brondel B-2, 000 12-fret, 15 1/4" wide, 4" deep, Carpathian, Honduras (very straight, tight grained with a small accent of heartwood in the center), plus a Honduras back plate on the headstock, lots of bass very responsive. Thin C shaped neck, Laurent's sexy twisted purflings around edge and rosette otherwise a simple, unadorned look, no fingerboard inlays.
• String spacing, 1 3/4" x 2 1/4"
• Gotoh Sta-Tites, Ebony buttons
• Varnish finish
• Cash price, $3750.. new lower price

2006 Ted Davis Jumbo, Gibson style Jumbo, an Advanced Jumbo in woods, bracing and most cosmetic details with the exception of scale length, which is 24 3/4", by Ted Davis, of Loudon, TN. This is an unsold instrument from Ted's estate which has been set up and prepared for sale by John Arnold. Woods are spectacular Brazilian rosewood from the very first batch of stump wood imported by Todd Taggart of Allied Lutherie, and the highest quality Adirondack spruce (Ted, along with John Arnold, was responsible for the modern availability of this amazing tonewood).
• Dry, powerfull, loud, clean, beautiful tone
• Waverly tuners, Greven pickguard
• Spacing: 1 3/4" x 2 5/16"
• Cash price, $7849

Charles Hoffman 00, From Minneapolis' master luthier, this a straight-shouldered 12-fret 00. Out of German spruce and fancy fiddle-back koa, full hide glue construction and extremely light build, this guitar is super responsive and alive.
• True OM string spacing, 1 3/4" x 2 3/8", 25.4" scale
• Slot head, Pyramid bridge
• Koa and abalone rosette
• Bloodwood binding
• Cash price, $6195


John How Grand Concert, A sweet 12-fret 00+ parlor style guitar, beautifully constructed in Cool, CA. This one is X-braced, out of Lutz spruce and gorgeous Madagascar rosewood. It is beautifully detailed, with hald-herringbone purfling, flame grained wooden binding all around, and old-style smile bridge. It is a smallish bodied guitar with a shockingly deep, rich tone.
• Body dimensions, 14 5/8" x 3 1/2", 24.9" scale
• String spacing, 1 13/16" x 2 1/4"
• Cash price, $3900

2003 Randal Kramer Prairie Grass, A truly gorgeous example of Sparky Kramer's art. It's a 14-fret slope-shoulder design, only 15 1/4" wide and 4 3/8" deep, sort of a mini Gibson style J, with a 25 1/4" scale. The top is European spruce, back and sides are ziracote, which, as you can see in thephotos, is beautiful. The carved heel is an unusual and beguiling touch.

• Cash price, $4500

Randall Kramer Prairie Grass 12, From Randall Kramer, better known as Sparky, from Truckee, CA, this new flawless 12-Fret Cutaway out of European spruce and stunning Madagascar rosewood represents Sparky at the very top of his craft. Features include his new more resonant box, flush heel-cutaway side joint, flame koa binding and more.
• String spacing, 1 3/4" x 2 5/16"
• Scale length, 25"
• Cash price, $7500

Randal Kramer Big Sky, 12-fret slot head, out of Panama rosewood and fancy bearclaw Sitka. One of Sparky's newest, representing several upgrades to the quality of his guitars. We particularly like the feel of the neck and the more open tone. A very special instrument!
• Cash price, $7200

Merrill 0-18, A truly classic perfection of simplicity, just like a 1930 12-fret 0-18. Out of mahogany and Adirondack spruce, with a sparkling tone that speaks out with authority. This one is made with hide glue construction.
• Slot Head, Waverly 3-on-a-plate tuners
• 1 13/16" x 2 5/16"; Long Scale
• Tortoiseshell binding
• Cash price, $5334

Moonstone J-90, New, from Arcada, CA luthier Steve Helgeson. Out of Cedar and Brazilian rosewood, with ppalted maple binding and rosette. A big guitar, it's 16 3/4" by 4 3/4", the nut width is 1 /4", scale is 25.4". A big sounding guitar, it is, at the same time, nicely balanced with a beautiful tonal character. We're big fans of Moonstone, and this is an exceptional example.
• Cash price, $7750

Moonstone OM-45 Dlx, Incrediblely beautiful, out of Brazilian rosewood and seasoned Adirondack red spruce, a reproduction of Martin's highest grade and best (I'm biased) model, of which only 15 were made, all in 1930. Features select Paua abalone inlay binding, wood purflings, hand-cut abalone vintage style torch inlay, abalone 45 style snowflake fretboard inlays, abalone 45 style rosette, gold Waverly machines with snakewood buttons, 25 1/2" scale, 1 3/4" nut, 2 1/4" bridge spacing. Built by Steve Helgeson of Arcata, CA, this is one amazing sounding box, on a par with the best hand made acoustics today.
• Cash price, $13.8K
Can be viewed by appointment only...please call.

Sakata OM-28B, From the pre-eminent steel-string builder in Japan, Hissashi Sakata, this is a strongly vintage inspired OM-28 out of Adirondack spruce (top & braces) and Brazilian rosewood. With its rich, silky tone and perfect workmanship, it compares quite favorably to any US builder. Built for us with our input, Hissashi used specialised vintage info from us and added from his own evolved skill and experience.
• Cash price, $9450

1989 Schoenberg 000C Soloist, An early example, assembled at the Martin factory with additional worked by Dana Bourgeois, both at his shop and in Nazareth. Back and sides are dark chocolate Brazilian rosewood, top is gorgeous bearclaw Engelmann spruce out of Idaho. A K&K pickup with mini-jack has been installed, condition is better than excellent.
• String spacing, 1 3/4" x 2 7/8"
• Cash price, $9250

1995 Schoenberg Schoenberg 000 Soloist, From our Littleton, MA shop, this 000 cutaway Soloist is a vibrant, lively sounding guitar, wonderfully balanced and sweet. Woods are Indian rosewood and European spruce, pyramid bridge, tarnished Waverly tuners.
• String spacing, 1 3/4" x 2 3/8"
• Cash price, $6450

2004 Schoenberg 000C Standard, An extemely beautiful Schoenberg 12-fret 000 cutaway built by Bruce Sexauer, with gorgeous AAAA grade Brazilian rosewood and Italian spruce. It has a solid peghead with the Schoenberg logo, pyramid bridge, pearl rosette, simple wood purflings, short pattern diamonds and squares on the fingerboard and a deep, lush, bright and responsive tone. Condition is close to perfect.
• String spacing, 1 13/16" x 2 3/8"
• Cash price, $8995

2007 Schoenberg Soloist, 000 size non-cutaway out of top-grade Madagascar rosewood and top-grade Adirondack spruce, binding of snakewood, belly bridge, 1 3/4" x 2 3/8", no fingerboard inlays, Waverly tuners, natural varnish finish. This Soloist is remarkable for its bigger than usual sound and great balance.
• By Bruce Sexauer & Eric Schoenberg
• Cash price, $7880

Schoenberg 00/OM Cutaway, Fancy curly quartersawn Brazilian rosewood and European (Italian) spruce, ivoroid binding with maple purflings and rosette, short pattern slotted diamond inlays, tortex guard, pyramid bridge. Tone is deep, rich, dense with an alive and fat treble.
• String spacing: 1 3/4" x 2 5/16"
• Cash price, $12,750
Can be viewed by appointment only...please call.

Schoenberg Quartet, Our newest model, designed by Eric to his ideal of the complete grand piano guitar, an anti-dreadnaught to be everything a dreadnaugh isn't, the biggest small guitar on the planet. Quadruple 0 12-fret: 16" x 4" depth. Out of perfectly straight and quartered Panama rosewood (same species as Honduras rosewood) and Adirondack spruce.
More photos
• Cash price, $9450

Schoenberg Standard 0C, 12-frets to the body single 0, a small box with the sound of a much bigger guitar. Startling clarity and balance, out of Honduras rosewood and Italian spruce, rosewood binding, solid peghead. The long scale gives it great strength with a lighter, happier quality. If you've been looking for a smaller body that works like a full-fledged concert instrument, you won't find anything that compares.
• Construction by Bruce Sexauer
• Cash price, $8795


Schoenberg 000C Soloist, Fourteen-fret cutaway, Koa back & sides, European spruce top, recently assembled from unfinished body and neck, built by John Slobod at the Littleton, MA Schoenberg shop. It has ivoroid binding, pyramid bridge, Waverly tuners, lacquer finish and incredible tiger-stripe koa.
• Top signed by John Slobod
• String spacing, 1 13/16" x 2 3/8"
• Cash price, $7985

New Schoenberg 000C Standard, 12-fret 000 body with cutaway, out of fancy Koa and Carpathian spruce, build by Bruce Sexauer. We've done many koa/spruce combinations; they have always made exceptional performance instruments. This is our second one with Carpathian, and is extemely captivating. It is full and deep with a wonderfully thick and rich melodic voice throughout its range. There's more sustain than punch, an extremely level-headed quality that has plenty of power with a liquid richness and sweetness. And it's only a week old!
• String spacing, 1 3/4" x 2 5/16"
• Rosewood & maple bindings
• Pyramid bridge
• Gold Waverlies
• Cash price, $10450,
Can be viewed by appointment only...please call

1978 Sexauer FT-16, An early Sexauer, in fact the guitar he kept and played for 24 years. German spruce top, Indian rosewood B & S, awonderful, alive sounding , 16 1/4" x 5" body , string spacing of 1 11/16" x 2 1/4", with elaborate engraved vine inlays on fingerboard and bridge. A behemoth, though with the free and open tone of a beautifully and lightly built instrument. There is much wear in the finish, but the guitar has no cracks and no signs of distortion: a solid, healthy guitar that will last longer and fare better than any of us!
Sold


2006 Bruce Sexauer FT-16 'Penngrove', A new 16" cutaway by Bruce out of Honduran rosewood and Italian spruce, with snakewood binding, 1-3/4" at the nut and 2-14" at the saddle. Bruce sees this as his 'troubador' guitar—it is light and responsive, and great for finger-picking, but it also takes well to a flat-pick. Overall, it has the balance of a superb OM, but with more power in the lows & the mids; the highs are a cascade of light and shimmer. There is power without harshness, and surprising sustain. The Penngrove is long-scale and has inlaid egrets for fret markers.
• Cash price, $6495

Sexauer FT-14, A 00 size 14-fret out of beautiful dark Madagascar rosewood and Italian spruce with snakewood binding and a Madagascar rosewood back-plate (the veneer on the back of the peghead). The neck is done in what Bruce calls micro multi-scale: 25 1/4" x 25 1/2", which gives greater tension to the bass strings. As we've come to expect from Bruce, this is a stellar sounding instrument, up there with the best luthiers in the world.
• String spacing, 1 3/4" x 2 1/4"
• There is a Hoffee case available for $650.
• Cash price, $11K,
Can be viewed by appointment only...please call.

FT-15-JB/2 (Flattie), A truly spectacular sounding OM, made for the 2011 Healdsburg Festival. Bruce used some spectacular flat-sawn Brazilian rosewood and gorgeous Italian spruce. It has an ebony fingerboard, Brazilian bridge, , curly mahogany neck, pernambuco binding and Schertler tuners. It has slant-frets, with half the string length disparity of Bruces normal JB, so only 1/4" difference in scale length E to e, thus 25.4" x 25".
• String spacing, 1 3/4" x 2 3/8"
• Cash price, $13.6K, Can be viewed by appointment only...please call.

Sexauer FT-15-D, One thing about Bruce is, every guitar is unique. He's extremely creative and not afraid to experiment. The thing is, the experiments are always successful. Here is a 14-fret, mini slope-shouldered D, 15" wide and 4 5/16" deep at the butt. The woods are Cambodian rosewood (Dalbergia Bariensis) and Adirondack, with snakewood binding. Decoration is simple and elegant, with an engraved pearl egret at the 7th fret, a tortoise-shell truss rod cover, a rosewood back-strap and Tortis pickguard. Tonally, it has a lot of oomph, like a D, with a smaller guitars definition and clarity; an extremely versitile and gorgeously toned instrument!
• Schertler tuning machines (very smooth, nicely engineered, and remarkably similar to Alessis
• String spacing, 1 23/32" x 2 1/4"
• Oil varnish finish
• Hoffee available for $650
• Cash price, $10.5K, Can be viewed by appointment only...please call.

Jack Spira Ditson 1-45, One of two 1-45 copies made by this talented Australian (from the Dandenong ranges in Gippsland east of Melbourne) builder, copies of the Martin made Ditson model, of which only four are known to exist. This one is out of top grade Adirondack spruce and old growth Brazilian rosewood and fossil ivory, with a traditional shellac finish and hide glue construction. One touch of modernity is an adjustable truss rod. For a detailed story of its construction, check http://www.guitarbench.com/2010/04/14/jack-spira-ditson-build-diary/
• Cash price, $4995


Yamamoto MS-6, Beautifully engineered and carried out. The scale length is 27" on the 6th string, 25.5" on the first, all of which is accomplished by slant frets. The body is wedged to make this large body very comfortable. Woods are East Indian rosewood and Adirondack spruce. It was designed for open tunings with light guage strings; the low-tuned bass strings are gigantic sounding.
• Nut width, 1 7/8"; Bridge spacing, 2 3/8"
• Nitrocellulose Gloss Lacquer
• Cash price, $4495

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NEW STEEL STRINGS

Art & Lutherie Ami, Parlor size, by Godin, available in steel and nylon stringed versions, super as travel or student instruments, hopefully always in stock. What an incredible service to humanity that Godin Guitars makes these inexpensive parlor size guitars available!

Art & Lutherie Folk Cedar, Antique Burst finish, a newly reintroduced model; we mourned its passing but happy to have it back. It is the lower (less expensive) line with the important part of the better line, the solid top.
• Hopefully always in stock

Blueridge Guitars, A branch of Saga Musical Instruments. These are phenomenal values, with tone unheard of at these price levels, indicative of the great strides being made by Chinese musical instrument manufacturers. Patterned after true vintage models, these boxes get an amazingly good sound quality. These are the long-awaited (by us) Blueridge 000 size: more comfortable, more healthy for nerves and tendons, and more balanced tone of the smaller bodies. Solid spruce top with forward-shifted, pre-war style scalloped X braces. We carry the ooo size Blueridges since they have plenty of power and volume, so who needs a dreadnought. And being smaller, they are far superior ergonomically, especially for student instruments.
• Our full set-up, custom for each buyer:

BR-43, The Blueridge 000 size: more comfortable, more healthy for nerves and tendons, and more balanced tone of the smaller bodies. Solid spruce top with forward-shifted, pre-war style scalloped X braces. Mahogany b & s, long scale, nut width 1 11/16", the best for the least if you like the narrow spacing. $396

BR-42, Their brand new model, a 12-fret 000. Using the same body as the BR-43 puts the bridge lower down and brings out a much warmer, richer sound. We love the 1 3/4" nut as well!, $396

BR-62, Their brand new model, a 12-fret 000. Using the same body as the BR-63 puts the bridge lower down and brings out a much warmer, richer sound. We love the 1 3/4" nut as well! $469

BR-63, A great sounding guitar, great for travel; and, of course, everybody needs a good beach guitar. 000 size is much more playable than all the dreadnoughts and jumbos that have dominated the lower-end market. Solid spruce top, rosewood back & sides. $549

BR-143, All solid, long scale, the right size (000), mahogany back & sides. Remarkable tone, coming from the unbeatable concept of repeating the traditional styles that work instead of always trying to reinvent the wheel. $565

BR-143A, Brand new, the long awaited Adirondack-topped OM, a long scale, 1 3/4" nut, all solid-wood 000 size box with solid mahogany back & sides and forward-shifted, pre-war style scalloped X braces. Amazing bang for the buck! Sold

BR-162, All solid, long scale, 12-frets to the body, the right size (000), rosewood back & sides. Dreadnoughts have been foisted on us for years—finally we have great choices in real guitar sizes. $749

BR-163A, Brand new, the long awaited Adirondack-topped OM, a long scale, 1 3/4" nut, all solid wood 000 size box with solid rosewood back & sides, forward-shifted, pre-war style scalloped X braces, herringbone binding and snowflake inlays. A simpler, more classy peghead design. Amazing bang for the buck! $859

• BR-60T, About a year ago the owner of Saga (Blueridge) bought a very nice early 1950's Martin 0-18T from us. A few short months later, their copy showed up in the Blueridge catalogue. This one is like an 0-28T. $449

Eastman AC-412, A lovely 000, handcrafted with mahogany and solid spruce. Features hand-voiced scalloped X-bracing, hand-fitted dovetail joint & nitro-cellulose lacquer finish. Hardshell case included.
• Cash price, $695, includes hard shell case

Eastman AC 808CE, One of Eastman's higher-end models, featuring all solid Engelmann spruce/Indian rosewood construction, slotted peghead, cutaway, nice C-shape neck and Fishman electronics.
• Holiday Sale, $1295

Eastman E10 OM, Adirondack top, mahogany back & sides, 1 3/4" at the nut, and great powerful tone. This one is a shocking beast of a guitar - the Adirondack really does add greatly to the quality of tone
• 1 3/4" nut, 24.9" scale.
• Cash price, $939

Eastman E20 OM, From Eastman's Tradirional Series, this amazing OM comes with an Adirondack top, rosewood back & sides, herringbone purfling, 1 3/4" at the nut, long scale, lacquer finish and wonderful tone.
• 1 3/4" nut, 24.9" scale
Sold

Guild GAD-30, Orchestra body, based on the original Guild F-30 (actually based specifically on a 1957 F-30 that Fender purchased from us), solid spruce top, solid mahogany back and sides, rosewood fingerboard and bridge, bone nut and saddle, mahogany neck, wood binding.
• Cash price, $729, includes hard shell case

Guild F-40 Valencia, I couldn't not have this Iced Tea Burst in the store, it is so beautiful! The rest of the guitar is not bad either! Adirondack Spruce, Scalloped Adirondack Spruce Braces, Traditional Early Guild 16-inch Body, Solid Mahogany Back and Sides, Dovetail Neck Joint, Bone Bridge Pins, Tortoise Shell Bindings, Bone Nut and Saddle, made in Tacoma, WA. This is one high class instrument!
• List, $2749; MAP, $2249, includes hard shell case

Loar LH-16, A brand new model based on the Gibson L-00, thus bringing a great vintage vibe. Solid spruce top, mahogany back & sides, natural finish, 14 3/4" wide at the lower bout, 1 3/4" nut.
• $389

Loar LH-250, Patterned after the late 20's Gibson L-1 (the "Robert Johnson" model) with the Gibson style "figure-eight" body and vintage sunburst, all solid spruce and mahogany. A fabulous sounding smaller bodied guitar with classic looks.
• Cash price, $519

Martin LXM, LXME, LX1, LX1E and LXM2 the LXMB (Black) Has Fishman Mini Q pick-up, the LXM2 is faux koa. Martin's brand new travel guitar, out of HPL and Stratabond, sounds great; the best travel guitar on the made today for the $, as well as a great 3/4 size steel string for kids.
• Includes nice gig bag
• Our full set-up, custom for each buyer
• MAP Price: LXM, LXK2 & LXMB, $279; LX1, $295; LXME, $339; LX1E, $359

Martin 00-15M, All solid genuine mahogany, a perfect blend of vintage features and modern technology. Enhancements include black/white inlaid wood fiber rosette (not decal) and bone nut & saddle. The world needs more of these smaller bodied guitars—not everybody is 6 feet tall! For many purposes, the 00 is the perfect size.
• List price, $1499, MAP, $1149, includes hard shell case

Martin 000-15SM, 12-fret 000 body, brand new model, an upgrade of a previously discontinued favorite of ours. This one is all solid genuine mahogany, bone nut & saddle, upgraded finish, rosewood fingerboard & bridge and inlaid wood rosette.
• List price, $1899; MAP, $1499

Martin OMC PA4, Martin's new "Performing Artist" series, now available in a more affordable version. Acoustic-electric with Solid Spruce & Sapele, natural polished gloss finish. Fishman F1 Analog electronics system with onboard tuner as well as volume and tone controls; a well-balanced instrument that's great for any style of music. Pickup system includes Sonicore under-saddle transducer with side mounted volume and tone controls and on-board chromatic tuner.
• Performing Artist neck profile: wider nut, slim taper—1-3/4" nut, 2-3/16" at saddle
• Long scale: 25.4"
• List price, $1599; MAP, $1199

Martin D-16A, The poor person's D-18 GE: Adirondack top & braces, mahogany back & sides, 1 3/4" nut, full gloss. A surprisingly lightly built Martin with a true vintage tone and power worthy of a much more expensive instrument.
• Hybrid scalloped bracing, tortoise binding, modified V neck, ebony fingerboard & bridge
• List price, $2699; MAP, $1999

Martin HD-16R A, Just in, a wonderful poor man's Herringbone D-28, with Adirondack top, scalloped braces, herringbone binding, wonderful vintage tone (just add 50 years of playing).
• List price, $2999; MAP, $2,199

Martin OM-21, How wonderful it is that the Martin company has created this model and kept it as a standard catalogued item. As you may know, we're maniacs for OMs, and remember very well when they were an exclusive item, only available as a rare vintage guitar. This model helped make the OM a people's fingerpicking guitar!
Sold, on order

Martin OM-21 Special, A new OM, with vintage features including the pyramid bridge with drop-in saddle (yeah!), custom ordered with no toner on the top, full scalloped 1/4" braces, low profile neck, spacing of 1 3/4" x 2 5/16". We love OMs, and now we have another with which to enrich the world. The tone is remarkable, possibly because of the pyramid bridge, and we think the natural finish is much nicer looking than the dark aging toner. The Indian rosewood is particularly nice on this one as well.
Sold, on order

Martin OM-28V, A regular model for us—we are om28.com after all—but this one came along by surprize. Our Martin rep brought it in and it seemed heads above what we've seen in this model—in tone and feel—that we decided to grab it, despite having nowhere to put it. The top doesn't look like Sitka at all; more like Engelman or Italian, and that may be why it sounds so good.
• List price, $4099; MAP, $3099

Martin CS21-11, An "exquisite, hand-built instrument from Martin's Custom Shop, limited to 2011. A Custom Shop interpretation of the tradition D-21, each piece of wood was hand-selected and weighed to achieve the lightest weight possible. Only the lightest 10% of material weighed was considered. Adirondack top and braces, Madagascar rosewood back and sides connected to a Cedar neck with Madagascar fingerboard, hide glue and T-Bar trussrod.
• List price, $6499; Cash price, $4569

Martin M-30 Jorma, Exceptionally beautiful, one of the finest new Martins. 0000 (M) body, Euro spruce and the single most beautiful Indain rosewood set I've ever seen. Large soundhole, colored half-herringbone purfling with abalone rosette, full ivoroid binding and Waverly buttons, torch peghead and 45 fingerboard with "Jorma" signature, high X scalloped top braces. String spacing is 1 3/4 x 2 5/16". This one is #70.
• List price, $6199; MAP, $5149, includes hard shell case

Recording King RP-06, Brand new parlor model, solid spruce top and mahogany body, remarkably good quality, beautiful woods.
• Cash price, $289

Recording King Greenwich Village RNJ-17-NA, Brand new, in stock! More info soon...
• Cash price, $549

Recording King Rom-06 CFE4, The best for the least in a 000 size (the best size!) performance guitar, fishman electronics, solid top, 1 3/4" nut, cutaway and long scale!.
• Cash price, $389

Recording King RP1-626 and RP2-626 Cutaway & Non Cutaway, The new 12-fret cutaway Recording King designed by Eric. In both "0" and "00" size, out of all solid AAA grade Engelmann spruce and mahogany, with the soft "Schoenberg" cutaway and subtle V neck shape, this model seeks to bridge a previousy uncrossed chasm between higher quality vintage and modern affordable guitars. Eric's approach has always been to cull the aspects of the great vintage axes that relate specifically to the needs of the player instead of the collector. We've made this guitar much lighter than others of this price range, paid special attention to the neck shape, wood choice and other key aspects of design.
• Cash price, $1049
• Non Cutaway, $949
• With Fishman Pick-up, $1199
• Hard shell case to fit, $95

Recording King RP1-326, The newest iteration of our "Shanghai Schoenberg", with Adirondack spruce top, mahogany B&S, all solid, of course. Cosmetically upgraded as well with the classic slotted head and herringbone binding. As they say, everything that goes down must come up, and these special Recording King models are heading to the top!
• Cash price, $1299

Recording King RP1-327, The newest iteration of our "Shanghai Schoenberg", with Adirondack spruce top, Indian rosewood B&S, all solid, of course. Cosmetically upgraded as well with the classic slotted head and herringbone binding. As they say, everything that goes down must come up, and these special Recording King models are heading to the top!
• Cash price, $1399

Recording King RO-26 & 27, 000 size,e, all solid, African mahogany (RO-26) & Indian rosewood (RO-27) and Engelmann spruce, with classy vintage features and a big, full sound. The nut is 1 3/4" wide, a great advantage especially for learners. Now discontinued, we have a few of the last remaining ones.
• Cash price, RO-26, $395; RO-27, $516

Recording King RD-316, An Adirondack topped dreadnought with mahogany back & sides, great pre-war sound and feel. All woods are solid, hand-crafted, with scalloped braces and lacquer finish.t
• Cash price, $799

Recording King RO-327, The top-of-the-line in 000 size. A small limited edition, this represents Recording King's top quality: Adirondack spruce, Indian rosewood, lovely vintage style inlay, the best neck shape!. The Adirondack adds a whole extra dimension to the tone.
• Cash price, $1099

Seagull Coastline Grand, A modern parlor guitar, solid cedar top, mahogany back & sides, with a wonderful sound and a small size that will have you feeling warm and comfortable instead of trying to fit yourself around a house-sized instrument! What an incredible service to humanity that Godin Guitars makes these inexpensive parlor size guitars available!
• Hopefully Always In Stock


Simon and Patrick Songsmith Folk, Finally, a narrower body in the Folk model! I first asked for this about fifteen years ago, and here it is. Solid spruce top, classical size, a comfortable size and as good a tone as can be found in this price range.
• Always in stock

Simon and Patrick Songsmith Parlor, A new model, solid spruce top!, wild cherry b&s, maple neck, rosewood fingerboard & bridge, varnish finish: a wonderful size 1 box made in Quebec. We love these! Available in Classic Burst and Tobacco Burst.

• Other Simon and Patrick models available.


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MANDOLINS

1918 Gibson A, A clean, very nice cond. pumpkin-topped A with very low action and great tone. The tailpiece cover is missing, everything else is original, some of the seams have been reglued.
• Cash price, $1395

1920 Gibson A-2, Sheritan Brown, super condition, plays great, all original except for missing pickguard. Bound top, back and fingerboard, pearl "The Gibson" on peghead, original hard shell case.
• Cash price, $2250

1920 Gibson F-2, A gorgeous example, in excellent original condition. These are incredible works of art, as well as the highest quality musical instruments. Gibson actually invented the flat-backed and the carved mandolin.
• Cash price, $3895

1925 Gibson A Jr. Snakehead, Snakehead, brown finish, excellent original condition. "The Gibson" in scrpt painted on peghead, very low action, very rich and loud tone.
• Cash price, $2685

1928 Gibson F-5, One of the most beautiful post-Loar F-5's, this Fern is in gorgeous condition and 100% original, with a period rectangular hard shell case. Master Model label, dot inlays, triple top-bound body, reverse arrowhead tuners with pearl buttons, flamed maple with gorgeous flame grain and 3-D depth effect, tobacco sunburst. The only (slight) wear is on the "The Gibson" tailpiece cover. They just don't get any better than this!
• Additional photo, Front
• Additional photo, Back
• Cash price, $95,000
Not Stored On Our Premises! Please call for appointment.

circa 1935 Gibson A-75, Rare ƒ-hole A Model with elevated fingerboard(!), nice '30's touches as unique peghead inlay, Loar bridge, "The Gibson" tailipiece. Back & sides are mahogany, in beautiful original condition, with original soft shell case.
• Cash price, $2475

1937 Gibson A-00, A rare ƒ-hole model with a wider body and longer scale length than standard for Gibson mandolins.
New Lower Price: Cash price, $1650, w/original hard shell case

1991 Flatiron 3K Bouzouki, Out of flame koa, currently strung as an Octave Mandolin, in other words, a full octave below manolin/violin tuning. Condition is virtually as-new, with hard shell case.
• Cash price $1249

2005 Altman MT-F5, One of Altman's earlier mandolins—supposedly #8—an F but not a Loar copy. This one is a Fern with light brown shaded finish, Handel copy tuners, curved fingerboard and wooden 3-layer pickguard. Condition is excellent, with Calton case. Bob's mandolins have many enthusiastic fans, including Herschel Sizemore and Mike Marshall.
• Cash price, $7995

2007 Givens Legacy A-6, A beautifully made instrument by Givens' long time associate Steven Weill, out of top grade flame maple and Engelmann spruce. The detailing is first class, including the Givens F-5 peghead inlay. Weill has been keeping the Givens line alive since Givens' passing, including Givens' policy of non-greed.
• Cash price, $1995

2010 Nugget A Standard, From Mike Kemnitzer, recognized as one of the finest mandolin builders, this is a perfect condition sunburst. Mike says the A is, "essentially an F-5 without the points and curl. The archings and graduations of the top and back, as well as the f-hole placement and scale length, are identical to that of the F-5. These instruments have a very open and sweet sound." Woods are curly maple for the back, neck, and sides. Select aged spruce for the top. He says, "
• The tops and backs are acoustically tuned to assure maximum tone quality, responsiveness and balance.
• The bridges are matched acoustically to each instrument and intonated to match the strings of the customer's choosing. The bridges, tops and backs are crafted from old and exceptionally resonant wood.
• The string nuts are made from select mother-of-pearl shell.
• The tailpieces are made from heavier than standard material and hand engraved by myself before plating.
• The sunburst is applied by hand to bring out the maximum figure and character of the wood.
• The instrument's tone and beauty are enhanced by varnish from my own recipe.
• Before installing, Schaller tuning machines (the best available) are completely reworked to achieve smoother tuning."
This one comes supplied with tone guard & Dudenbostel arm-rest
• Cash price, $9500

Randy Wood Solid Body 5-String, From one of the best known mandolin builders, this is a five-string Esquire-like solid body with a single-coil neck pick-up and maple fingerboard. The body is mahogany and the back is contoured like a Strat.
• Cash price, $1249

Loar LM-400-VS, Loar's top-of-the-line A-5 style, fully hand-carved all solid spruce and figured maple, and Nitro finish. Design in part by Paul Hostetter, with un-braced top. Incredibly loud and powerful.
• Cash price, $549

Loar LM-700-VS, Loar's new, much talked about top-of-the-line model, all solid, all hand-carved top and back, best woods, rounded V neck profile and hand rubbed lacquer finish. The best new mandolin at this price, includes deluxe hard shell case!
• Cash price, $1124


Kentucky KM-161, Newly upgraded model, black finish, hand crafted, adjustable truss rod, set up by us to super low action so students will have no excuse!
• Cash price, Sold

Kentucky KM-250, Saga has recently upgraded these mandos: they are all solid (maple & spruce,) hand-carved and graduated, radiused fingerboard, high-quality nickel-plated tuners. And they sound great!. Our last one was purchased by Scott Nygaard for an upcoming tour with Joan Baez.
Cash price, $369

Kentucky KM-505, A shape, ƒ-hole out of hand-selected solid spruce and solid flamed maple, hand carved and graduated construction and Vintage Amberburst nitrocellulose finish. The fingerboard is radiused and bound, peghead is bound and inlaid with a very tasty pearl inlay This is truly amazing quality with professional level tone and playability.out of hand-selected solid spruce and solid flamed maple, hand carved and graduated construction and Vintage Amberburst nitrocellulose finish. The fingerboard is radiused and bound, peghead is bound and inlaid with a very tasty pearl inlay. This is truly amazing quality with professional level tone and playability.
• Cash price, On Sale ... inquire

Kentucky KM-550, New model, all solid, hand-carved top, back & sides, tiger-stripe maple, vintage sunburst matte lacquer finish, bone nut. Wreath inlay
• Cash price, On Sale ... inquire

Kentucky KM-675, Saga has recently upgraded these mandos: they are all solid (maple & spruce,) hand-carved and graduated, radiused fingerboard, high-quality nickel-plated tuners. And they sound great!
• Cash price, On Sale ... inquire

Kentucky KM-900, Master A-Model, Kentucky's best! Hand carved solid northern flamed maple and spruce, Cremona Brown shaded Nitrocellulose finish.
• Cash price, On Sale ... inquire

Eastman MD-515,
Eastman's newest line, the 500 series, is fully in their tradition of releasing less expensive models that are just as good, if not better, than the higher models. Same woods: spruce anbd maple, a little plainer in decoration...but not much, the metal parts aren't gold plated, Sunburst Varnish; loud, clear, plenty of bark; a top quality professional instrument. A nice touch is the curved fingerboard.
Cash Price, $995

Eastman MD-614, The venerable Gibson F-4, Gibson's highest grade round-hole mandolin, has a sweeter tone than the ƒ-hole mandos of otherwise similar design, fully hand-carved of the best materials.
Cash Price, $1295

Eastman MD-805, A-5 style, an extra-fine hand carved, rich varnish sunburst finish; very alive and full sounding, excellent neck shape. From the first batch of this new line made by China's leading maker of violin family instruments.
Cash price, $895

Eastman MD-814, ƒ-style roundhole, Eastman's version of the old Gibson F-4, a brilliant, loud, clear sounding mandolin. It is fully hand-carved by expert violin builders in Beijing, China. The finish is hand-applied violin varnish
Cash Price, $1585

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BANJOS

Lyon & Healy 5-String, 11 1/8" head, 24 3/4" scale, spun over rim with a rounded boat heel, no markings, set up with a recent skin head and nylon strings, very nice, fat sound.
• Cash price, $695

No-Name 5-String, A sweet old-time frailer, no name, but new skin head and new set-up, and great tone
• Cash price, $545

1915 Vega Little Wonder Guitar-Banjo, In incredible condition—practically new, set up to play beautifully. A Fairbanks/Vega, heavy laminated maple rim and neck, ebony fingerboard with pearl dot inlay, brass wire tone ring and 30 bracket shoes all original!) mounted through the rim, original Champion tuners, 11 15/16" head.
• Cash price, $1965

Vega Whyte Laydie Guitar-Banjo, A rare high quality 6-string banjo, maple neck and rim, ebony fingerboard, 11 15/16" rim and 25" scale, pearl star on peghead, simple and nice inlays on the fingerboard, in VG-Exc. condition. 3-on-a-plate guitar tuners, otherwise all original, one section of neck binding missing.
• Cash price, $2695

1929 Gibson GB-1 Guitar-Banjo, Guitar Banjos this playable are extremely rare, and a pleasure to play and this one is among the best ever. It has been "improved" with very nice vintage Gibson style peghead & fingerboard inlays, sounds great.
• Cash price, $2985

1930 Gibson GB-3 Guitar-Banjo, Circa 1930, the Mastetone is possibly the best guitar-banjo. This one has the tube-and-plate flange, 40-hole arch-top ring, all gold-plated parts, including the tone ring and coordinator rods, no label or serial number. Great set-up: straight neck and super low action.
• Cash price, $5945

Recording King Madison, This company has come along very strongly in the banjo field, most likely because of their developer, Greg Rich, who started Gibson's banjo line.
• Resonator model, the R25-BR, with full tube & plate flange, maple neck, resonator and 3-ply rim, Cash price, $599
• Open Back model, the O25-BR, Cash price, $499

Gold Tone CC Mini, Have Banjo Will Travel. This is one hell of a sweet travel companion. Maple, with a rolled brass tone ring and 19 3/4" scale. Tuned to C, though can be tuned standard with heavier strings. Price includes the TKL gig bag.
• Cash price, $349

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UKULELES.

Martin Style 5K, New, reintroduction of possibly the best ukulele ever made, koa top, sides and back, '45' style pearl inlay (the uke version) around top, back, rosette, fingerboard and peghead, beautifully finished. The tone rings loud and clear—a very successful reproduction.
• List price, $5199; MAP price, $4199. Includes a classy hard shell case

1920's Martin Style O Soprano, Excellent condition except for one short repaired crack in the top, all mahogany, early example, set up well and great sound.
• Cash price, $649

1928 Martin 5-17T, A small tenor guitar that was converted, probably around 50 years ago, to a baritone ukulele. The work looks to have been done by Vega, but that's just a guess. We've reset the neck so it plays well. The result is maybe the world's best Baritone Ukulele.
• Cash price, $1285

1930s Lyon & Healy Style 5350 Concert, Ivoroid-bound body, gold maple (oak?) leaf pattern on lower top, mechanical friction tuners with ivoroid buttons, 25" length; 8-1/8" lower bout, 15-3/4" scale, 1-3/8" nut width, 2-1/4" to 2-5/8" body depth, 17-fret rosewood fingerboard, wood pin bridge, raised ivoroid soundhole binding, ivoroid kite-shaped inlay on headstock. Back of headstock hot-stamped "Pat. Apld for", "5350" and "Washburn". Hot-stamped inside soundhole: "Lyon & Healy/Inc/Makers/Chicago USA
• Cash price, $2100

1960's Martin Baritone, 1960's, The king of baritone ukes, made only from 1960 to 1984. The Baritone uke was invented in the '50s, some say by Arthur Godfrey, some say Favilla, a small quality guitar & uke builder in N.Y.
• Cash price, $1395


1965 Martin T-15 Tiple, All mahogany 10-string wonder; not too many play these any more, but they sound amazing, like a ukulele on steroids. This one is in excellent condition except the bridge has been off and screwed down with four screws.
• Cash price, $950

Tony Graziano Concert, Fully and beautifully hand-made in Santa Cruz, out of Maui koa sides, back & neck, Italian spruce top, tortoise binding & rosette, ebony fretboard & bridge.
• Cash price, $1495

Pohoku Concert Mahogany, By Peter Hurney of Berkeley, CA. Beautiful Cuban mahogany back & sides and Honduras mahogany top, chosen for optimal tone production, with gentle but tight curl in the Cuban. No binding and a subtle amber sunburst, which Peter feels sets the wood off to its best advantage. The mahogany has a different tone color than the koa, and breaks in much quicker.
• New geared "Peghed" Tuners, which look like ebony friction pegs
• Cash price, $900

We are now dealers for Kamaka!

Kamaka Soprano HF-1
, Kamaka is possibly the best known uke maker, still family owned and run in Hawaii after four generations. Made of solid Hawaiian Koa, 13-9/16" scale, nickel pegs with pearloid buttons, gloss finish, hardshell case included.
• Cash price, $710

Kamaka Concert HF-2, Made of solid Hawaiian Koa,15" scale length, friction peg tuners with pearloid buttons, hardshell case included.
• Cash price, $910

Kamaka Tenor HF-3, Made of solid Hawaiian Koa,14 frets to the body, 17" scale length. Pearloid buttons on geared tuners, hardshell case included.
• Cash price, $1139...Sold

We are proud to represent Scott Wise, of Western Australia, with this initial offering of three of his latest ukulele output. This is what Scott has to say about them:
My interest in ukuleles started when I started building guitars 30 years ago. My first commission was for a concert size uke and I think I designed something Schneider / Kasha -ish.  After all, it was the latest thing just then.  It was well received but in many subsequent years of repair and investigation I found the older Hawaiian instruments were what did it for me.  There were plenty of old Martin, Gibson, Harmony etc ukes around.  Some of them were nicely made, but in terms of sound they didn't hold a candle to the fairly plentiful Soprano Kumale instruments.  I don't know how they found their way to Australia, probably with U.S. servicemen in WW2. There were a few Kamakas as well.  They had an authentic sound but were heavier, and to my ear not sensitivity and quick response of the Kumales was just not there.
I started building ukes for my daughters, experimenting with woods, weight, body depth etc and after many years arrived at dimensions very close to the standard older Hawaiian instruments in Tasmanian Blackwood which many people know is very similar to Koa. With plenty of different blackwood boards to try I found some grain/weight/figure combinations which delivered optimum tone for my instruments. I have looked at a lot of the currently available Koa and have found it a little light and cardboard-ish for my purposes, however I don't doubt there is some superb Koa out there.  I'm just working with what is readily available.
Another observation of the traditional Hawaiian ukes is that apart from lightness in construction they were very lightly finished.  They were, in fact, cheaply, quickly made instruments with just enough varnish on them to protect the wood - and they sounded the best. Nearly all the modern high end ukes I see have way too much finish on them.  Combining this light construction with my violin making training and some of the top arching techniques of Spanish classical guitar making I have been able to make a very traditional uke with real refinements to optimize the sound.  I know just how light I can make them for them to sound great but survive a long life.  I use ebony fingerboards and although time consuming, the traditional "rope" binding frees up the top and protects the glue joint. International attention for my instruments started happening when the Hawaiian singer and uke player Douglas Tolentino came to a small festival here in Western Australia.  He played my instruments, said "wow" and insisted on buying a tenor uke. Doug thinks I have surpassed the quality of the best traditional ukes. He can play my tenor uke into the same microphone as his vocals and it cuts though perfectly. The light weight means he is never fatigued after a 3 hour gig. He invited me to Hawaii to show my instruments and since this coincided with the timing of the Healdsburg guitar festival I took the ukes there as well. Local player loved them. At Healdsburg, there were many people who were knocked out by the sound of the ukes.  Over half of them were Hawaiian!  I plan to show them in the U.S. some more.  I am honored to have them at Schoenberg Guitars as well.
Introductory prices:
Wise Soprano, Sold, on order
Wise Concert, On Hold
Wise Tenor, Sold, on order
Wise Baritone

Bruce Sexauer Tenor, By the uncomparable Bruce Sexauer of Petaluma, there's a lot of guitar making skill & knowledge focused into this little uke. All Catalpa, extremely light weight, 9 coats of varnish.
• Cash price, $2200

Kala Ukes, A great line of student grade and beyond ukes. Our favorite feature is guitar-style tuners - way more user friendly than the old standard straight-through uke tuners. Call, or better yet, come in.

Asturias Ukuleles, Made by the Asturias Guitar company in Kobe, Japan, the maker of the "John Mills Model" classical guitar, one of the most esteemed production guitars to come out of Japan. I believe they're the only Asturias ukes in the country.
• Asturias Soprano Koa 12, with beautiful flamed koa from Hawaii. $579
• Asturias Soprano Custom 17 Mahogany, maple bound, vary tastefully done. $479

Kala Ukes in all sizes, all personally set-up here at the shop. This local company is producing some of the best quality student ukes and cases. We are particularly fond of the Flame Maple, Solid Spruce models and the new All-Solid Mahogany in all sizes, the archtop Tenor and two versions of their cutaway electric Tenors. We are also carrying their various cases, both hard foam and hard shell.
Kala UBass KA-FL, All-solid Mahogany, a ground breaking short scale (20") bass that produces the same pitches as a standard bass instrument and is tuned in traditional bass tuning, EADG. The U-BASS is strung with proprietary polyurethane strings that incorporate a great bass feel, with balanced tension; they are a true pleasure to play.
• Custom Hipshot Tuners
• 21" scale
• Pahoehoe Polyurethane strings
• Custom Shadow bass pickup with 4 individual piezo elements
• Separate compensated saddles for each string
• Available Fretter or Unfretted
• $523, includes a hardfoam case

We have some beautiful Tweed hard shell cases for Soprano, Concert and Tenor, prices are $69 - $79.
We also carry the nice hard foam violin style extra-light cases for all uke sizes, $49.

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CASES

Cedar Creek Custom 1 Size, Extremely nice, great fitting. Exterior is tweed fabric (black seems to me to be the worst color for a case, unless you want to bake your instrument on a sunny day), dark green plush lining, comfortable handle, nickel hardware (none on back), double neck support.
• Cash price, $299, Now in stock

Cedar Creek Custom 0-Size, Extremely nice, great fitting for 12 or 14-fret 0s. Exterior is tweed fabric (black seems to me to be the worst color for a case, unless you want to bake your instrument on a sunny day), dark green plush lining, comfortable handle, nickel hardware (none on back), double neck support.
• Cash Price, $299, Now in stock

Cedar Creek Custom 00-Size, Extremely nice, great fitting for 12 or 14-fret 0s. Exterior is tweed fabric (black seems to me to be the worst color for a case, unless you want to bake your instrument on a sunny day), dark green plush lining, comfortable handle, nickel hardware (none on back), double neck support.
• Cash Price, $299, Now in stock

Cedar Creek Custom 000 and OM case, as per the original Harptone Schoenberg cases, a smaller (00) footprint meant to redo the concept of the original 1930's Geib cases.
Cash Price, $299, Now in stock

We have the Fusion Hard-Sided gig bags in 00 and D, $169; as well as their very nice Ukulele gig bags, $29.95

Boulder Alpine, an excellent line of gig bags, in 00, D, F mando and A mando.

Reproduction Geib-Style (Golden Gate) F Mando, with red stripe, $99

Excellent Arch-Top 0, 00 and 000 Hard-Shell black, from China, for only...
• $64.95 to $95

Size 1 (12 1/2 inches) Hard Shell, unavailable for eons, finally Seagull is producing this flat-top hard shell for their Parlor series, which happen to be exactly...Size 1! My wife's 1901 1-21 is comfortably ensconced in one right now, and we're happy to finally have a properly fit case for it.
• $79

Very nice ƒ-Style Mandolin gig bags, $59.95, by Boulder Alpine

Various other Hard Shell Cases and Gig Bags , from TKL, Cedar Creek, Seagull, Guardian, Golden Gate, Kala, etc. Call or email for more info.

Ukulele Cases: We have some beautiful Tweed hard shell cases for Soprano, Concert and Tenor, prices are $69 - $79.
We also care the nice hard foam extra-light cases for all uke sizes, $49.

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Call us at 415-789-0846 or Email us if you want an instrument that's not on our stock list. We'll be happy to notify you when we get what you're looking for. Tell us the make, model, years you may be interested in, and any other info you think we should have. And tell us the best way to reach you...

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